Writer-director Alex Russell on making his first feature, Lurker, writing text messages into scripts and the influence of The Talented Mr. Ripley.

Leonardo Goi reviews Locarno 2025 premieres including Abedllatif Kechiche’s Mektoub, My Love: Canto Due, Radu Jude’s Dracula ...

In my recent Filmmaker conversation with Julia Loktev about the making of her monumental documentary, My Undesirable Friends, ...

Cinematographer Larkin Seiple discusses his work on Zach Creggar’s Weapons, learning from Magnolia and shooting with Master ...

Throughout his career, documentary filmmaker Matt Wolf has excelled at portraits of complicated artists and individuals whose ...

Ben Rivers discusses the making of Mare’s Nest, reaching out to Don DeLillo and staging his play the Mare’s Nest and ...

Journalist and documentarian Gaia Caramazza discusses questions of access and consent when filming the Columbia University ...

In the early 1980s, Jim Abrahams and brothers David and Jerry Zucker pioneered a niche of slapstick- and wordplay-heavy spoof-comedies with films like Airplane! and Top Secret!

Maria Fredriksson’s astonishing feature debut The Gullspång Miracle isn’t just stranger than fiction—it’s batshit insane. In the broadest of outlines, the doc stars two devoutly religious Norwegian… ...

Progress is now through September 5 accepting submissions from American independent filmmakers with pictures in ...

“We Wanted the Film to be Available for Free”: Kris Bowers & Ben Proudfoot on the Oscar-Winning The Last Repair Shop ...

Bright: I wish film schools would teach directors, producers — really anyone who’s going into filmmaking — more about music rights and licensing because it can be really complicated. But there are a ...