Writer-director Alex Russell on making his first feature, Lurker, writing text messages into scripts and the influence of The ...

Aaron Brookner and Rodrigo Areias’s Nova ’78 centers around the Nova Convention, a late ’70s avant-garde extravaganza that took place at NYC’s now defunct Entermedia Theater (Second Avenue and ...

In my recent Filmmaker conversation with Julia Loktev about the making of her monumental documentary, My Undesirable Friends, ...

Leonardo Goi reviews Locarno 2025 premieres including Abedllatif Kechiche’s Mektoub, My Love: Canto Due, Radu Jude’s Dracula ...

Cinematographer Larkin Seiple discusses his work on Zach Creggar’s Weapons, learning from Magnolia and shooting with Master ...

Throughout his career, documentary filmmaker Matt Wolf has excelled at portraits of complicated artists and individuals whose ...

For viewers watching Kelsey Taylor’s terrific debut feature, To Kill a Wolf, it’s easy to miss that its very loose source material is the 17th-century children’s fairy tale, Little Red Riding Hood.

Maria Fredriksson’s astonishing feature debut The Gullspång Miracle isn’t just stranger than fiction—it’s batshit insane. In the broadest of outlines, the doc stars two devoutly religious Norwegian… ...

In the early 1980s, Jim Abrahams and brothers David and Jerry Zucker pioneered a niche of slapstick- and wordplay-heavy spoof-comedies with films like Airplane! and Top Secret!

If having your first feature premiere at the Sundance Film Festival is an accomplishment, being nominated for an Academy Award the same week is pretty much unheard of. Nonetheless, that’s what ...

It’s been a busy year for Kamal Aljafari. One of the most innovative voices working in contemporary found footage cinema, the Palestinian filmmaker’s latest feature, A Fidai Film (which premiered this ...

Hit the Road, the debut feature from writer/director Panah Panahi, is a 93-minute long goodbye of aptly sweet sorrow. Panah, 38, is the son of Jafar Panahi, one of the undisputed titans of Iranian art ...